Aimee Mandala

The Milling Machine

Graphite and charcoal on paper

Acrylic, pastel, charcoal, and graphite on paper

Graphite on paper. Artwork itself is 8" x 10" and with the frame it is 12.5" x 15.5"

Graphite on paper

Mixed media, acrylic, spray paint, liquid acrylic ink, neon vinyl, thread, woven plastic, paper, neon trim, gel pen and graphite on cotton paper

Watercolor & Graphite on Canvas

Davidoff is influenced by her close connection to nature and by what she calls, “the spirit of investigation and observation of the natural world.” Her work explores themes of struct...

Davidoff is influenced by her close connection to nature and by what she calls, “the spirit of investigation and observation of the natural world.” Her work explores themes of struct...

This layered paper and drawing collage titled "House Studies Series VIII" is an original artwork by Seth Clark made of paper, charcoal, pastel, graphite, and acrylic on wood. Through...

This is an original paper, charcoal, pastel, graphite, and acrylic on wood panel artwork by Seth Clark measuring 40”h x 30”w. Seth Clark grew up in Seekonk, Massachusetts and stud...

This layered paper and drawing collage titled "House Studies Series VI" is an original artwork by Seth Clark made of paper, charcoal, pastel, graphite, and acrylic on wood. Through a...

This gorgeous artwork on paper was created initially with a screen print base of the model, then Rosie hand finishes the work with a unique splash and painted composition. Some call them Unique Prints. The base image is only used 12 times and this is the AP Rosie Emerson, born in 1981, is a contemporary artist working almost exclusively on representing the female form. Emerson’s figures draw reference from archetypes old and new, from Artemis to the modern day super model, each solitary figure, an allegory of her own fantasy. Interested in surface, the interplay between photography and painting. Emerson’s works are playful constructs; Photography is used, not as a device for capturing reality but for creating romanticised optical illusions. Inspired by her love of theatre, performance, shrines and rituals, she uses lighting, costume, set and prop making, alongside printmaking and painting to create other worldly one off pieces. Her photography is inspired by both the drama of the baroque, and ethereal qualities of Pre Raphaelite works. Other important influences include late medieval and renaissance paintings, Japanese prints, and magical realist literature. Emerson’s screen...